Fresh from a major renovation of its interiors, the Freer|Sackler reopens on October 14 with a weekend celebration of Asian art, food and culture. Four special exhibitions also kick off—including one that examines Buddhism in Asian art through objects and immersive spaces.
This seminal exhibit highlights the artistic diversity of Asia, showcasing an array of objects from India, Nepal, Tibet Korea, Japan, Myanmar, Thailand and Cambodia.
Featuring nearly 350 objects and images, from a Tomahawk missile to a can of baking powder, this exhibit demonstrates the ways in which Indian words and images have become ingrained in American culture. It also examines how four Indian narratives—Pocahontas, Thanksgiving, the Trail of Tears and the Battle of Little Bighorn—have engendered enduring fascination and conflict.
More than 300 works of art from the museum’s permanent collection are on display, including sculpture, painting, photography, ceramics, costumes
and jewelry from some 25 nations. This ongoing exhibit explores perspectives in order to make thematic connections across
the spectrum of time, place and
medium.
This exhibit reveals the many ways cultures throughout the Americas expressed power and identity by decorating and venerating the head. Spanning 2,500 years, 20 objects on display range from shaman headdresses to finely crafted ceramics.
This show explores the modern architectural roots of
the three unmapped cities built from scratch to support the creation, development and execution of the Manhattan Project. “Secret Cities” examines the architecture and construction of Hanford, Washington; Oak Ridge, Tennessee; and Los Alamos, New Mexico, and also focuses on the daily life of their inhabitants, exploring social hierarchical norms and segregation.
This exhibit details the collision of myriad cultures on the Swahili coast in East Africa—a historic crossroads for peoples not only from Africa but also from the Arabian Peninsula, Asia and Europe. Objects on view from a variety
of places and time periods allow viewers to trace the influences of trade and cross-cultural pollination on artistic forms and motifs.
Originally woven by women in Turkey’s nomadic communities as adornments for tents and caravans, kilims represent intricate examples of abstract art and artistic ingenuity. This exhibit marks the debut of the museum’s collection of Anatolian kilims from the 18th and 19th centuries.
This exhibition examines portraits of women by Camille Corot, a 19th-century French artist best known for his landscape paintings. Corot, who bridged France’s neoclassical era and Impressionist movement, influenced modernist painters such as Cézanne and Picasso with his figurative
paintings. nga.gov
Thick, gestural brushstrokes and loose bands of color characterize Irish artist Sean Scully’s acclaimed “Landline” series, now making its U.S. debut. The series spans a variety of media,including watercolor, oil painting and sculpture, and will be on display in the Hirshhorn’s second-level galleries.