The Inka Road stretches 20,000 miles across South America. Providing a vital link between the administrative and spiritual capitals of the ancient Inka world, it is still in use today and deemed a World Heritage Site by the United Nations. This exhibit at the National Museum of the American Indian explores its engineering history in terms of technology, politics and culture.
The Renwick Gallery reopened last fall after an extensive renovation; now, an installation of artworks taken from the museum’s permanent collection will explore the value of craft in the modern world. More than 80 objects on view will include such new acquisitions as stained glass by Judith Schaechter, wood sculpture by Wendell Castle and cast glass by Karen Lamonte.
The Freer | Sackler celebrates its October 2017 reopening with an installation by artist Subodh Gupta (above), who transforms utilitarian vessels found in India into monumental structures. Comprised of about 30 towers of brass containers from one to 15 feet in height, “Terminal” evokes a dense urban landscape.
Featuring nearly 350 objects and images, from a Tomahawk missile to a can of baking powder, this exhibit demonstrates the ways in which Indian words and images have become ingrained in American culture. It also examines how four Indian narratives—Pocahontas, Thanksgiving, the Trail of Tears and the Battle of Little Bighorn—have engendered enduring fascination and conflict.
Between 1885 and the Russian Revolution of 1917, the House of Fabergé produced exquisitely jeweled and enameled Easter eggs for the Russian tsars. This exhibit of more than 70 objects highlights the artisanship of those who created the eggs, and showcases two Fabergé eggs from The Walters’ permanent collection.
More than 300 works of art from the museum’s permanent collection are on display, including sculpture, painting, photography, ceramics, costumes and jewelry from some 25 nations. This ongoing exhibit explores perspectives in order to make thematic connections across the spectrum of time, place and medium.
This exhibit reveals 250 works from three periods when mainstream and outlier artists intersected, ushering in new paradigms of inclusion, integration and assimilation. Works by folk artists such as Charles Sheeler and Christina Ramberg are juxtaposed with those of self-taught artists including Horace Pippin and Janet Sobel.