Built in 1927, a remodeled Oakland estate in Baltimore County’s Greenspring Valley will open to the public for the 41st Baltimore Symphony Associates’ Designer Show House. Formerly owned by Edgar Allen Poe III, an ancestor of the author, the residence offers more than 20 rooms that will showcase the talents of local design teams.

Now in its 36th year, this 
juried event will feature 120 exhibitors from 33 states. Visitors can peruse works in a wide range of media, from furniture and ceramics to jewelry, basketry and wearable art.

Participants on this self-guided tour can visit unique custom homes and renovations completed by area builders and developers. Proceeds benefit HomeAid Northern Virginia, which builds homeless shelters in the region.

This show explores the modern architectural roots of 
the three unmapped cities built from scratch to support the creation, development and execution of the Manhattan Project. “Secret Cities” examines the architecture and construction of Hanford, Washington; Oak Ridge, Tennessee; and Los Alamos, New Mexico, and also focuses on the daily life of their inhabitants, exploring […]

Participants operate and race custom, man-powered works of art 
at this annual event. The 15-mile course takes racers through the streets of 
Baltimore, over muddy and sandy terrain and even into the Chesapeake Bay. 
This year’s theme is “Mysteries & Tall Tales.”

This exhibit details the collision of myriad cultures on the Swahili coast in East Africa—a historic crossroads for peoples not only from Africa but also from the Arabian Peninsula, Asia and Europe. Objects on view from a variety 
of places and time periods allow viewers to trace the influences of trade and cross-cultural pollination on […]

The 90th annual Georgetown Garden Tour invites visitors to immerse themselves in eight lush gardens. The self-guided tour includes the grounds of a historic 1788 residence designed by William Thornton, architect of the U.S. Capitol, as well as the gardens of the home John and Jackie Kennedy shared before his inauguration in 1961.

Celebrating its 27th year, this annual festival creates an 11-block “art walk” where more than 200 artists display everything from paintings to fiber art, ceramics and works in metal, leather and wood. The juried, three-day event culminates with the Festival Party where 10 artist awards are presented.

This exhibit features some 60 works created by nine female Aboriginal artists living in remote communities across Australia. The pieces on view—some specially commissioned for the exhibit—encourage viewers to contemplate humanity’s role in light of the powers of nature. phillipscollection.org

Originally woven by women in Turkey’s nomadic communities as adornments for tents and caravans, kilims represent intricate examples of abstract art and artistic ingenuity. This exhibit marks the debut of the museum’s collection of Anatolian kilims from the 18th and 19th centuries.

This exhibition examines portraits of women by Camille Corot, a 19th-century French artist best known for his landscape paintings. Corot, who bridged France’s neoclassical era and Impressionist movement, influenced modernist painters such as Cézanne and Picasso with his figurative paintings. nga.gov

Thick, gestural brushstrokes and loose bands of color characterize Irish artist Sean Scully ’s acclaimed “Landline” series, now making its U.S. debut. The series spans a variety of media,including watercolor, oil painting and sculpture, and will be on display in the Hirshhorn’s second-level galleries.

Photographs, sculptures, drawings and documentary materials form this extensive survey of the works British sculptor Rachel Whiteread created during her 30-year career. Whiteread’s pieces chart the transition from late 20th- to early 21st-century living through the memorialization of everyday objects and public spaces.

Los Angeles-born artist Mark Bradford mines the universe, Greek mythology and his own personal life in monumental abstract collages made of paper and scavenged materials such as billboards, fliers and graffiti. The exhibit explores the artist’s interpretations of identity and the embodiment of abstraction.

The introduction of the printing press and photography in the 19th century challenged traditional Japanese woodblock printmakers to adapt their craft. This exhibit examines the fall and resurrection of this ancient art form as artists became influenced by the challenges of modernity.