Rather than working in a vacuum, many artists seek feedback and criticism from their peers. Eight pairings of works on view shed light on how artists support each other outside the purview of patrons, curators and dealers. Paul Cadmus’ Night in Bologna (pictured) is part of the show.
This Baltimore exhibition focuses on the joy of the here-and-now with more than 200 daring works created by self-taught artists using found or discarded materi- als. The show promotes the idea that instead of yearning for more things, people can find fulfillment by applying ingenuity and imagination to what’s already in their grasp.
Like the first installation of this exhibit, which remains on view through January 29, the second part also presents portraits by Pulitzer Prize-winning photographer Brian Lanker of Black women who changed America. Subjects include seminal figures such as Cicely Tyson, tennis champion Althea Gibson (pictured) and Oprah Winfrey.
In this collection of newly acquired work, 25 modern and contemporary artists reveal their emotional and spiritual selves. Taken as a whole, the pieces on view illustrate the power of art to shed light on our existence and to affect change.
April 23, ongoing Featuring some 500 objects from The Walters’ permanent collection, this landmark exhibition illuminates both Asian and Islamic art traditions dating back thousands of years. The historical examples of architecture, calligraphy, lacquerware, painting and sculpture on display represent diverse cultures and regions, from West to South Asia.
Marking the 125th anniversary of the Spanish-American War, this exhibit examines the rise of the U.S. as an empire through the lens of portraiture and visual culture. More than 90 works from collections in Puerto Rico, the Philippines, Guam, Spain and the U.S. present an array of viewpoints in a fascinating look back at history.
In the 1990s, Drexciya, a Detroit-based techno duo, imagined an underwater kingdom populated by the offspring of pregnant women who were either pushed or jumped overboard during voyages of the transatlantic slave trade. Since then, many artists—including Ayana V. Jackson—have conjured their own interpretations of this mythical world. In her first solo museum exhibition, Jackson […]
When they envisioned Washington’s architectural profile, America’s Founding Fathers and subsequent leaders frequently invoked Greek and Roman styles as a link to America’s political roots. This exhibit explores depictions of monuments, sculptures and public buildings throughout the nation’s capital that were designed to reflect the classical architecture of these ancient civilizations.
Martha Jackson Jarvis’ great-great-great-great grandfather, Luke Valentine, was a free Black militiaman who served during the Revolutionary War. In a series of 13 large abstract works on paper, the multi-media artist traces a journey Valentine made from Virginia to South Carolina. The assemblage not only captures shifts in terrain but also the dangers and emotions […]
This retrospective celebrates the 50-year career of Robert Houle (Saulteaux Anishinaabe, Sandy Bay First Nation). Embracing Western and Indigenous artistic traditions, Houle pays homage to the earth, the sacred and the creative moment in his paintings via color, light and gesture.
Lego lovers of all ages will delight in an around-the-world tour featuring reproductions of 37 iconic structures and places made entirely of Lego bricks. Edinburgh-based artist Warren Elsmore constructed the intricate models depicting attractions on every continent, from San Francisco’s Painted Ladies to the Shalamar Gardens of Pakistan. Pictured: A model of the Lincoln Memorial, […]
Italian Neoclassical sculptor Antonio Canova (1757–1822) started each of his masterpieces in marble by producing a model in clay. More than 30 of some 60 surviving clay sketches shed light on the artist’s creative process.
This retrospective commemorates the life and work of artist and educator Benjamin Wigfall (1930–2017) in his native Richmond. After launching his career, Wigfall studied at Hampton University and Yale and later became a professor at State University of New York (SUNY), New Paltz. It was there that he founded his studio, Communications Village, as a […]
