Rather than working in a vacuum, many artists seek feedback and criticism from their peers. Eight pairings of works on view shed light on how artists support each other outside the purview of patrons, curators and dealers. Paul Cadmus’ Night in Bologna (pictured) is part of the show.

This immersive, 10-screen film installation by Sir Isaac Julien focuses on 19th- century abolitionist Frederick Douglass and the influences of technology and images on human relations. Spanning space and time, the display interweaves Douglass’ speeches and writings with reenactments of his travels around the globe.

For centuries, some of the most ambitious and compelling art in Europe was painted on ceilings in styles ranging from Baroque to Neoclassical. The National Gallery spotlights 30 examples of remarkable ceiling decoration, from preliminary studies to large-scale models.

This immersive installation combines thousands of fine chromatic yellow and blue threads to create a color scheme that the eyes and mind cannot perceive. In what she calls an “imaginary, mysterious, unnamed space,” the multi-media artist pushes viewers to contemplate the divine—which, like these colors, she says, “is unnamable, untouchable, intangible.”

Like the first installation of this exhibit, which remains on view through January 29, the second part also presents portraits by Pulitzer Prize-winning photographer Brian Lanker of Black women who changed America. Subjects include seminal figures such as Cicely Tyson, tennis champion Althea Gibson (pictured) and Oprah Winfrey.

Léon Bonvin (1834-1866) is known for his exquisite watercolors, inspired by Japanese prints, photography and trends of the day. Following the French artist’s tragic suicide, Baltimore patron William Walters began to acquire Bonvin’s paintings, amassing what became the largest collection of his work in existence; Walters’ son later bequeathed the collection to the city of […]

An accomplished businesswoman and legendary arts patron, Hillwood founder Marjorie Merriweather Post applauded female artists and designers. Hillwood displays art and objects from its collection that depict women whom Post admired, along with work created by women—from an 18th-century Fabergé pencil holder to a 1790 French painting of Princess Elizabeth (pictured).

The museum presents a stunning array of antique Islamic prayer rugs collected around the globe from Ottoman Turkey to Mughal India. Exploring the spiritual meaning behind the rugs’ iconic motifs, the show also offers comparisons to Jewish traditions.

A major retrospective surveys the 50-year career of modern artist Philip Guston (1930 to 1980). Some 110 paintings and 115 drawings on view run the spectrum from figurative and abstract work to political satire in the Nixon era.

In this collection of newly acquired work, 25 modern and contemporary artists reveal their emotional and spiritual selves. Taken as a whole, the pieces on view illustrate the power of art to shed light on our existence and to affect change.

Approximately 80 recently acquired watercolors and drawings in the museum’s permanent collection provide a vast overview of British art created over two centuries. The display features portraits, landscapes, historic scenes and nude studies.

Commemorating hip hop’s 50th anniversary, this exhibit surveys the cultural, conceptual and aesthetic attributes that have made the art form a global phenomenon. Ninety works by famed contemporary artists such as Devin Allen, Monica Ikegwu and Amani Lewis are presented alongside apparel and other objects that embody hip hop culture.

Marking the 125th anniversary of the Spanish-American War, this exhibit examines the rise of the U.S. as an empire through the lens of portraiture and visual culture. More than 90 works from collections in Puerto Rico, the Philippines, Guam, Spain and the U.S. present an array of viewpoints in a fascinating look back at history.

In the 1990s, Drexciya, a Detroit-based techno duo, imagined an underwater kingdom populated by the offspring of pregnant women who were either pushed or jumped overboard during voyages of the transatlantic slave trade. Since then, many artists—including Ayana V. Jackson—have conjured their own interpretations of this mythical world. In her first solo museum exhibition, Jackson […]

When they envisioned Washington’s architectural profile, America’s Founding Fathers and subsequent leaders frequently invoked Greek and Roman styles as a link to America’s political roots. This exhibit explores depictions of monuments, sculptures and public buildings throughout the nation’s capital that were designed to reflect the classical architecture of these ancient civilizations.

Martha Jackson Jarvis’ great-great-great-great grandfather, Luke Valentine, was a free Black militiaman who served during the Revolutionary War. In a series of 13 large abstract works on paper, the multi-media artist traces a journey Valentine made from Virginia to South Carolina. The assemblage not only captures shifts in terrain but also the dangers and emotions […]

This retrospective celebrates the 50-year career of Robert Houle (Saulteaux Anishinaabe, Sandy Bay First Nation). Embracing Western and Indigenous artistic traditions, Houle pays homage to the earth, the sacred and the creative moment in his paintings via color, light and gesture.

Lego lovers of all ages will delight in an around-the-world tour featuring reproductions of 37 iconic structures and places made entirely of Lego bricks. Edinburgh-based artist Warren Elsmore constructed the intricate models depicting attractions on every continent, from San Francisco’s Painted Ladies to the Shalamar Gardens of Pakistan. Pictured: A model of the Lincoln Memorial, […]