Since the 16th century, Raku ceramics have been central to Japanese tea culture. Built by hand as opposed to on a potter’s wheel, these vessels continue to inspire artistic creativity. The Freer Gallery displays pieces dating back to the 18th century that exemplify glazes and forms unique to Raku ware.
An exhibit conceived for young museum-goers celebrates the concept of home and the built environment through the lens of children’s literature. Installations featuring classics such as Winnie-the-Pooh, The Hobbit and Harold and the Purple Crayon are designed to spark curiosity and encourage visitors to create stories of their own.
In honor of its 50th anniversary, the Hirshhorn Museum is hosting a landmark exhibition by conceptual artist Adam Pendleton. New and recent paintings and a video work pay homage to the legacy of Dr. Martin Luther King, Jr. The show is the Richmond native’s first solo exhibit in DC.
Trained in classical Indo-Persian miniature painting, Shahzia Sikander adds a contemporary spin to the genre. This 10-minute film is a commentary on the legacy of British colonialism in Asia. Combining visuals from Chinese paper cut-outs to watercolor maps of the region, the film blends inked and digitally animated scenes, all set to an electronic beat […]
This mega-exhibition marking the Baltimore venue’s 30th anniversary focuses on alternate worlds by a coterie of self-taught artists. Among 130 creations shown are paintings and lithographs, ceramic subway scenes, handcrafted action figures, chainsaw-carved minotaurs and hand-painted sci-fi galaxies.
The museum reexamines the work and life of Anna Mary Robertson “Grandma” Moses (1860–1961), the self-taught artist who was propelled to fame after starting to paint in her late 70s. The 88 works on view illuminate lesser-known aspects of Moses’ experience and reconcile the roles she played—from mother of five and dairy farmer in post-Reconstructionist […]
Since the late 1960s, immersive, large-scale artworks have blurred traditional boundaries. This exhibit traces the evolution of installation art, displaying early works such as Sam Gilliam’s 1969 Light Depth (pictured) along with those of contemporary artists such as Mika Rottenberg and Spencer Finch.
This immersive video installation dives deep into multi-media artist Clifford Ross’ ongoing fascination with the vast, awe-inspiring ocean through computer-generated media. Installed on a 23-foot-high screen in the West Building’s Rotunda, the work prompts viewers to reflect on the natural world and their own place in it.
Marking the 250th anniversary of the signing of the Declaration of Independence, the gallery celebrates significant achievements in American art over the past century. Among the artists represented, the show includes works by Jackson Pollock, Andy Warhol, Ruth Asawa and Cindy Sherman.
The largest solo show SAAM has ever commissioned, “Mammoth” will transform a suite of galleries into a series of immersive environments. Combining sculpture, video and thousands of found objects, the exhibition draws on artist Nick Cave’s childhood in Missouri, where his grandparents were farmers and his grandmother was a quilter. As curator Sarah Newman remarks, […]
The NGA celebrates Mary Cassatt on the 100th anniversary of her death in 1926. The only American and one of three women who participated in the Impressionist movement, she spent most of her life in France. This display of some 40 paintings and works on paper document Cassatt’s creative process.
Three exhibitions capture the enduring influence of Henri Matisse. In “To See This Light Again,” works by the 20th-century French icon and Maryland painter Louis Fratino are juxtaposed, creating a dialogue between figural studies. “Matisse and Martinique” highlights how the Caribbean influenced the artist’s work, and “Matisse in Vence” examines the mural he created for […]
“Miró and the United States” reflects on the creative transatlantic symbiosis that occurred among Spanish artist Joan Miró (1893 to 1983) and his American artistic contemporaries, including Alexander Calder, Lee Krasner, Jackson Pollock and Helen Frankenthaler, during the post-war period from the 1940s to the 1960s.
A pair of paintings shown side by side illustrate how Hiroshi Senju and Bingyi reimagine their cultures’ rich artistic traditions. The former applies modern techniques to traditional Japanese methods, while the latter draws on historic Chinese ink painting in his approach. Though dramatically different, both pieces celebrate the beauty and power of water.
More than 100 works on paper represent the American experience through ruminations on the country’s landscape, people and concepts of freedom. The exhibit includes photographs by Carleton Watkins, Dorothea Lange and Carrie Mae Weems; prints by Thomas Hart Benton, Roy Lichtenstein and Rupert García; and drawings by Thomas Moran, John Wilson and Tonita Peña.
Expressing himself through moving images, sound, poetry and photography, Native American artist Sky Hopinka forges powerful ties between language and landscape. Videos (including one of his grandmother), photos and large-scale calligrams on display present a nuanced understanding of place and the contemporary Indigenous experience.
Honoring the United States’ 250th birthday, this exhibit documents historic scenes that have unfolded at many of Washington’s most notable landmarks. In addition to mainstream imagery, depictions of laborers, activists and artists across generations add a new perspective to history.
This exhibit explores the history and beauty of paintings made for Hindu kings in India’s northern Pahari region between the 1620s and 1830s. A study of 48 works on view, ranging in style from naturalistic to abstract, sheds light on their political, cultural and religious significance.
A trip to South Africa inspired Douriean Fletcher to design jewelry as a way to explore her identity and cultural heritage. Known for dramatic pieces made from natural materials, the California native has crafted jewelry worn by Queen Ramonda and the Dora Milaje in the Black Panther films. The Walters showcases these among many more […]
An iconic 1857 panorama of Niagara Falls by landscape painter Frederic Edwin Church anchors a group of 20 works depicting the natural wonder. From historic Native paintings to contemporary photography, the collection homes in on the many symbols and histories associated with the world-famous falls and how these notions have evolved over centuries.
Drawn from Hillwood’s vast collections, this exhibit celebrates the artistry, craftsmanship and cultural importance of textiles from the 17th century to today. Casting a wide net, it unveils fabrics ranging from antique lace to embroidery and fashionable silks—and includes pieces from the personal wardrobe of Hillwood’s own Marjorie Merriweather Post.
