Home & Design

In the adjacent living room, a custom sofa in Lewis & Wood fabric holds court facing an armchair upholstered in a geometric Carolina Irving textile.

Stools by Brian Persico Studio pull up to the kitchen’s marble-topped island.

In the adjacent breakfast room, a four-foot bump-out made way for a custom banquette.

A wall of cabinets beyond the Shaws farmhouse sink includes pocket doors that conceal small appliances and wine storage.

Hauer designed all of the home’s new cabinetry; Unique Kitchens & Baths fabricated the kitchen and breakfast room cabinets.

A plaster hood serves the Lacanche range, sourced at ABW Appliances.

Custom host chairs in Alice Sergeant fabric flank an heirloom table in the dining room.

Glass-fronted built-ins of Hauer’s design include pull-outs for serving. CDS Cabinet Co. built the dining room cabinets.

A soapstone fireplace surround and black-framed Loewen doors contrast with a soft palette in the breakfast room.

Frontgate benches gather at an al fresco dining table on the patio; Lynnette Camus of Studio Camus updated the landscape.

The basement excavation made way for a spacious family room (below), where the team repurposed an original built-in from the kitchen.

Anne Marie Hauer.

A Serena & Lily console and Visual Comfort fixture welcome guests into the foyer, where Phillip Jeffries grass cloth adorns the walls.

British Reserve

Anne Marie Hauer conjures a classic vibe in a revived Alexandria abode

Restoring an historic 1880s row house in Old Town for a couple with two boys was tricky enough; toss in the fact that the property was a mere 19 feet wide and the stakes became even higher.

Architect Patrick Camus and designer Anne Marie Hauer were hired to take on the challenge. The sweeping overhaul traded choppy, outdated interiors for a more open plan that enlarged the kitchen and created a nearby breakfast/sitting room. Hauer, who joined the project at the get-go, designed loads of built-in storage on all three levels to keep clutter at bay.

But the most drastic change happened in the basement—originally a partial crawl space with a dirt floor. An excavation that spans the full footprint of the house carved out a new lower level with nine-foot ceilings; it encompasses a great room, a guest room and bath, plus a mudroom with access to the rear yard. Today, the 3,000-square-foot home includes five bedrooms and three-and-a-half baths.

Hauer embraced light, bright furnishings with a nod to what she calls classic British design. A Q&A with the designer details the process.

What most excited you about transforming this 1880s gem?
I love old homes and the quirky details that come with them. Considering that the project was so small and contained, it was a challenge to come up with interesting solutions for functionality and storage.

Why did you lean into British design?
My clients wanted things to feel elevated but not super-traditional. I see classic British design as a look with patina and history. Think handmade, quality pieces with a bit of color and whimsy and interesting shapes. It’s décor that will always be in style. In the 1800s, many people were coming over from England and living in Old Town Alexandria. So it makes a lot of sense, right?

Was the large-scale pattern on the living room sofa a hard sell?
Many homeowners are hesitant about doing a big pattern on a big piece of furniture because they may get sick of it. These clients were open to some pattern play. Even though the living room sofa fabric is quiet and tonal, it makes a statement.

What do heirloom pieces accomplish?
I love to incorporate heirloom pieces because they bring depth to a home. We find ways to incorporate them with modern elements to ensure that a space doesn’t feel too dated. In this project, the dining table was passed down by family members.

Discuss the benefits of engaging an interior designer early in the process.
The biggest benefit is budget—ensuring that expectations are set from the beginning. Often clients don’t realize they need help until they’re well into a project, but here we were able to design the space in its entirety before construction even began, thinking through all the details from lighting to storage. We also were able to order furnishings with long lead times.

Describe the role hardware and other metal accents played in this makeover.
All the hardware comes from Armac Martin, a British company that offers multiple finish options. The dining room and kitchen hardware is unlacquered brass. For those rooms, we also selected sconces and pendants in aged brass; and the breakfast room’s tabletop is hammered brass. These finishes will patina over time to reflect the age of the home.

Share the reason for wallpapering the dining room ceiling.
The homeowners wanted to avoid window treatments, which would make the interiors feel too closed-in. But that left us with the view of a fence outside. To draw the eye away from walls and windows, we added Sanderson wallpaper on the ceiling.

What sets the custom dining room cabinetry apart?
My client wanted to store and display china and but also needed a place for serving. We designed cabinets with small trays that pull out to provide an extra serving area. The cabinets are painted taupe for a little bit of warmth; they coordinate with the wallpaper we chose for the ceiling.

Why was salvaging the original pine floors a priority?
The flooring consists of wide, varying planks in a lovely golden color. They’re rustic and dip a bit, revealing how old the home is. But they don’t feel rickety, which I attribute to the contractor and architect creating major reinforcements in the basement below. So you get these incredible, worn floors that still feel secure and safe.

How do modern elements keep the interiors feeling current?
Even though it’s an older home, the owners wanted a few clean-lined, modern pieces. In the breakfast room, the pendant by Workstead mirrors the black fireplace surround and black-metal accordion doors leading out to the patio. This fixture and some of the pieces by Urban Electric have an old feel but also look fresh and current.

In what ways does the newly excavated basement nod to the home’s past?
There was an original built-in cabinet in the kitchen with beautiful, leaded-glass doors. The builder had it sanded, painted and re-installed in the basement. There was also a low, brick arch in the basement. We dropped the floor by four or five feet and turned the arch into a bookshelf to pick up on the history.

ASK ANNE MARIE

SHARE YOUR FAVORITE DECORATING TREASURE.
Years ago, I started my career at Ralph Lauren, working in fashion and later moving to home. I still have bins of fabrics I hoarded when they were going to be thrown away. I’m just waiting for the right client to use them.

WHAT MATERIALS RESONATE WITH YOU—OR DON’T?
I’m not a fan of encaustic tiles. Though I like bold colors, I want materials to feel natural. I love Zellige tiles and anything that feels handmade, irregular or unique.

NAME YOUR FAVORITE SOURCES FOR VINTAGE FINDS?
I love Etsy and 1stDibs. I also frequent local dealers like Baileywyck Antiques in The Plains, Virginia, Vintage in Marshall, and Red Schoolhouse Antiques in Millwood.

DO YOU HAVE GO-TO PAINT COLORS?
The only ones I use consistently are Benjamin Moore Simply White and Swiss Coffee. Otherwise, I try not to use the same colors twice.

Interior Design: Anne Marie Hauer, Choux Designs, The Plains, Virginia. Renovation Architecture: Patrick Camus, Studio Camus, Alexandria, Virginia. Renovation Contractor: Rob Douglas, Creighton Construction, Arlington, Virginia. Styling: Stylish Productions.

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